1963년에 윤항기, 김홍탁, 옥성빈, 차도균, 차중락의 5명으로 구성된 키보이스는 성공한 그룹사운드의 원조이다. 초기에 미8군 무대를 통해 주로 활동하였고, 그로부터 2년뒤, 작곡가 김영광씨에게 곡을 받아 첫번째 앨범을 발표하게 된다. "정든배"는 바로 이때 발표한 음반에 수록된 이들의 대표적인 인기곡이다. 1967년 차도균, 차중락 등이 "가이스 앤 덜스"를 만들면서 그 조직이 흔들리자, 장영, 박명수, 조영조, 한웅 등이 제2의 키보이스로 활동했다. MEMBERS : 장영 - 베이스 기타 ; 박명수 - 기타 ; 조영조 - 기타 ; 오정소 - 오르간 ; 백승진 - 오르간 ; 이광일 - 베이스 기타 ; 조기상 - 드럼 Historical facts that lead to He5 (- from Key Boys, Add4 to He5- ): (Folkie Jin) : "Kim Hong-Tak (1944~) was one of the 2 leadi

This is a light but in fact great short (2->4 min songs) collection of pop/rock with very convincing warm and nice range of singing voice, nicely attractive songs perfect for repeated listed and with a great variety of well worked out and thoughtfully produced arrangements (mostly small and again thoughtful workout accents of strings including plucked arrangements or some brass, with solo electric leads or rhythm guitar with here and there some accompanying acoustic guitars o

"Pearl sisters Shin Jung-Hyun directed all songs and music 1968 ; This record normal price is a over 200$(original record is a gatefold sleeve single cover is a second pressing and normal price is a 150$) Also Pearl sisters is a Korean popstar and debuted by Shin Jung-Hyun. Especially this record is one of the best records of them. Side A are garage style plus arrange and all Shin Jung-Hyun's songs but Side B are all cover songs of American pop songs. Song lyrics were influen

Psychefolk Radio show comments: "60’s psychpop. The recording was done directly from vinyl. From the 7th to 10th track are with male voice. The 8th track is more psychedelic, with great guitar and psych organ in late 60's psych pop style." Folkie Jin : "Kim Chu-Ja/Shin Jung-Hyun songs collection 1969 ; Kim Chu-Ja is a another korean pop star and debuted with support of Shin Jung-hyun. This record is a her debut album. Musical performance by Donkeys of Shin Jung-Hyun. I think

A track you can find here: 가요(歌謠) 박물관 / 220 Best Gayo Music Museum CD7-7 인형집 아가씨 / Doll house lady (1970) A fine pop song with pop/rock band and brass arrangements. #koreanpop #K

Music can be found on: 도미도 베스트 컬렉션 100 VOL.1 / 50-60 Domido CD5 13 파도처럼 / Like a Wave This is a kind of sad nostalgic waltz with a kind of night club setting or a bit an Edith Piaf-like atmosphere. The accompaniment is accordion led with waltz orchestra. 가요(歌謠) 박물관 / Music Museum: Best 220 CD3-19 나이도 어린데 / From a very young Age (1964) This another romantic pop song / chanson with somewhat bombastic orchestral accents of arrangements. ---------------------------- BIOGRAPHY: Bo

Jigu 문주란 / Moon Joo-Ran/Mun Ju-Ran/Moon Ju-Lan : 문주란 골든 2005 2CD CD 1 01. 동숙의 노래 / Dong Sook Song 02. 돌지 않는 풍차 / Windmills That Won't Turn 03. 타인들 / Others 04. 꼭 필요합니다 / It is necessary 05. 공항의이별 / Farewell at the airport 06. 낙조 / Fallout 07. 공항에 부는 바 / At the airport 08. 내 몫까지 살아줘 / Live my share 09. 너와 나 / You and me 10. 별이 빛나는 밤의 블루스 / Starry Night Blues 11. 파란 종이의 편지 / Letters of blue paper 12. 남과 북 / South and North 13. 젊은 초원 / Young Meadow 14. 언덕위의 수선화 / Narcissus on

임희숙 - 믿어도 될까요임희숙 / Can I find Trust? (가수) 노래 | 뮤직리서치 | 2011년 08월 11/ 12 Music Research CD 1 이마음 아시나요 / Do you know this heart? 2 잊어버린 노래 / Forgotten Songs 3 진정 난 몰랐네 / I really didn't know * 4 밤새 / Overnight 5 군가 (국민응원가) / Gunga (National Support Cost) 6 믿어도 될까요 / Can I Believe 7 돌아와 주오 / Come Back * 8 한번쯤 / Once * 9 삼돌이의 첫사랑 / Samdol's first love * 10 사랑하는 마음 / Loving hearts 11 저 꽃속에 찬란한 빛이 / The radiant light in that flower Tracks with * I consider essential listens or clas

Several tracks can be found on: 가요(歌謠) 박물관 / Music Museum: 220 Best * CD3-17 나의 푸른 하늘 / My Blue Heaven (1963) With baritone sax and congas and vibes as instruments, and an Elvis-like voice, it is clear how this is a different and more Americanised early 60s pop in a succesful formula. The song is with English lyrics. * CD5-14 함께 가실까요 / Shall we get together (1966) Also this sounds like an American song but I do not know. I almost did not notice the singer was not singing in E

For a so-called compilation of 50s/60s songs I never expected such a rather cheap taste of Moog-like arrangements, with over-simplified electronic pum-pum-pum rhythms mixed with a separately recorded voice (in right channel) with artificial reverb. This bizarre direct modernised interpretation in a Trot style, like a rather circus-café jukebox-alike electronically arranged music still has a certain flair of charm because of the Korean melodies but of course, I cannot recommen