You can find some tracks here: 도미도 베스트 컬렉션 100 VOL.1 / 50-60 Domido * CD5 9 모래위에 적어본 이름 / Name written in the sand Lee Sisters had beautiful harmony vocals a bit reminiscent of Andrew Sisters. It is in that direction some of the tracks are performed with a warm sound of voices. Not much more than piano and an acoustic guitar rhythm (?) is heard. 가요(歌謠) 박물관 / Music Museum: 220 Best * CD3- 13 서울의 아가씨 / Lady from Seoul (1964) * CD3- 16 워싱톤 광장 / Washington Square (1963) -ref. Vil

사랑과 평화 - 1집 (한동안 뜸했었지/저바람) SRB-0009 1978.10.15 CD release date: Nov 23, 2011 Company: King Records 01 - 한동안 뜸 했었지 / Long time no see 02 - 노래여 퍼져라 / Songs be echoed 03 - 어머님의 자장가 / Mother's Lullaby * 04 - 베에토벤의 운명 / Beethoven Symphony No,5 (Inst) 05 - 여왕벌의 행진 / The Flight of The Bumble Bee (inst) 06 - 저바람 / That Wind 07 - 발빛 / Moonlight 08 - 뭉게구름 / Thunderhead (Inst) 09 - 아베마리아 / Ave Maria (Inst) Tracks with * I consider essential listens or classics, or tracks to check out f

This is a CD from the 23CD box: 유성기로 듣던 불멸의 명가수: 이은파 편 (vol.11) / Immortal Singer Heard during the Meteor Period: Lee Eun-pa, Vol. 11 1 관서천리(關西千里) / Kwanseocheon-ri (Chisato Kansai) (1935) (OKEH 1793) 2 지는 석양(夕陽) / Sunset (OKEH 1793) 3 압강물 흘러 흘러 / Flowing down the river (OKEH 1796) * 4 채란새 / Yellow Egg (OKEH 1914) 5 강(江) 넘어 천리(千里)길 / Cheonri-gil road beyond the river (OKEH 1914) * 6 안달이 나요 / I'm frustrated (OKEH 1925) 7 여자된 허물 / Woman's Sludge (OKEH 1962) * 8 남천(南川) 처녀(處女) /

유성기로 듣던 가요사 / Songs that I heard during the musical period from 1925~1945 [Disc 1] 15 세기말(世紀末)의 노래 / Song of the end of the century (1932) this above song can be found on the next release as well: 유성기로 듣던 불멸의 명가수 : 막간 가수들 vol.21: 'singers used for interludes' 18 경성(京城)은 조흔 곳 / Gyeongseong is a scary place (POLYDOR 19032) * 19 세기말(世紀末)의 노래 / Song of the end of the century (1932) (POLYDOR 19032) ° ° "Song of the End of the Century" (1932), Lyrics written by Park Young-ho, Comp

A few tracks can be found on V.A.: 유성기로 듣던 가요사 (1925~1945) vol 1 * 12 메리의 노래 / Mary's song (1931) 13 고요한 장안(長安) / Tranquil Chang'an (1932) 14 메리의 노래 / Mary's Song (1931) Tracks with * I consider essential listens or classics, or tracks to check out for sure. It are tracks that makes them also very suitable for western radioshow airplay. Tracks that are only underlined can be considered fine tracks you might better check out as well, but I am not sure how essential they are. T

The first few tracks are somewhat similar in style as the Eun He item from 1971, which I thought at first was from the same and similarly looking artist, but perhaps this one is even sweeter, with beautiful arrangements, full of subtle romance ; the voice of the singer here is very beautiful too, making the music as a finished product to some unforgetable moments. Some other tracks are sung by male voice, a bit more in direction of taverne song entertainment. Most tracks I mu

Most of the album is folk songs with acoustic guitar, possibly more of the tracks are covers of popular Western song hits (like “Plaisir D’Amour” and Greensleeves”). The picking is good and the voice has a sort of strong quality of innocence I rarely heard in this amount outside Korea (such approach could easily balance between sensitive and mellow). For some tracks the singing makes a few strange turns, perhaps it was not always totally correct for each note or variety as a

Jigu Rec. Lana Et Rospo (with Choi Ahn-Soon) -2CD- (2006)***° This double album (-sounding a bit like another South-Korean duo, Toi et Moi-) is another classic collection of sensitive and warm acoustic guitar songs with duo of warm male and a contrasting cool female voice. I assume several songs are covers of Western songs, but how many I cannot tell because the all have the same sensibility. Recognised was track 10, “Summerwine”, originally by Lee Hazlewood (wih Nancy S

Lee Yong-Jong, who once cooperated with Twin Folio, also made some solo song records. This well-hanging together compilation shows that solo period. The choice of songs tend to chose a bit more often predictable chords and melodies, save songs and perhaps even Christian idealisations of inspirations. Often there’s use of synth arrangements with acoustic guitar. Elsewhere there are strings and entertainment pop/rock arrangements. You can still hear there’s an original songwrit

Lee Jang Hee - Meet Me In A Room also listed as "That's You" I usually prefer not to review albums if I do not know if whether they are official reissues or not, but there are so little more easily available Korean reissues that I prefer to give this one some attention. Before I do review this I must say that there are, just like in Japan, two different influences of inspirations that western collectors should distinguish with, which is the more self-penned and adventurous cr