Radioshow comments : "Here Shin Jung Hyun & Donkeys were backing band for a basically mainstream song oriented release. Still, the psych elements are all there (electric guitars, organ,..), especially in some tracks. The first chosen song ("Petal" possibly means "marijunana") has some orchestration arrangement too. Last 16 minute track is similar and is the complete B-side of the album. Of course here's more room for band improvisation. This means a melodic repetition (drum,

Folkie Jin : "Pearl sisters Shin Jung-Hyun directed all songs and music 1968 ; This record normal price is a over 200$(original record is a gatefold sleeve single cover is a second pressing and normal price is a 150$) Also Pearl sisters is a Korean popstar and debuted by Shin Jung-Hyun. Especially this record is one of the best records of them. Side A are garage style plus arrange and all Shin Jung-Hyun's songs but Side B are all cover songs of American pop songs. Song lyrics

Korean band based in Portugal?? laying covers of SLY & THE FAMILY STONE, ELVIS PRESLEY (Misspelled on the backcover as Elvis Presely) as well as a cover of JOHNNY TAYLOR (released on Stax label originally). Discography: https://www.discogs.com/artist/2129941-The-Korean-Black-Eyes The World Is A Mess ‎(7") VitoriaV-SOS-1002 (Portugal) I Don't Know How To Love Him ‎(7") VitoriaV-SOS-1001 (Portugal) Higher ‎(7") VitoriaVEP-0011(Portugal) https://koreanvinyl.wordpress.com/2013/07

I was first told this album was with Shin Yung Hyun, which does not seem to be true. The singing is mostly uninteresting mainstream rock and early rock. Only third track is more interesting, like the 7th instrumental. "The singer (or the leader of the band 365days) is Sooman Lee. Yes, the music is not interesting. And Lee has become an impresario in current music industry. If you are curious about him, you can read one chapter of a book pop-Goes-Korea-Revolution written by a

Folkie Jin : "Normal price over 800$. Musical performance by Shin Jung-Hyun and his cambo band. Guest female singers are Min A, Bonnie Girls, Ju Hyun. He started his "Shin Jung-Hyun and his cambo band" summer 1971. He recorded this record with some guest female singers. These are (the) Bonnie girls (female duo and also they are famous Korean pop star in the 70's, -at first they debuted with shin jung hyun-), Ju Hyun,Min A. Musical features of this album are very psychedelic w

남사당 （보컬 ： 오세은，한영애，이보임）오세은 (남사당) Radioshow comments : "A bit more modern sound here (some use of synthesiser in the first tracks) , but still a bit "progresive" in its core. I chose first track because it sounds very Korean rock styled. These are original interpretations of Shin Jung-Hyun songs. Also the third track is a Korean traditional, interpreted with a kind of jazzrock accompaniment. The 4th track (like the two last tracks) is an acoustic guitar instrumental of a Korean

임아영 ‎– 오 못믿어 / 미련 Universal (6) ‎– KLS-5. 05 Aug 1971 * A1 오 못믿어 / Oh! I don't believe in you * A2 미련 / / I cannot give you up A 3 문이 열릴때 / Open Doors with Lim A Young: * A4 마른 잎 / Dry Leaf A5 내 마음 모두 주오 / Give me all my heart B1 여보세요 / Hello B2 봄비 / Spring rain B3 그대는 바보 / You are an idiot B4 명동거리 / Myeongdong Street B5 떠도는 사나이 / Drifting man Psychefolk Radioshow comments : "Another record with some great psychrock tracks, with Shin Jung-Hyun. 5th track is female voice an

This album is one of the few later generation albums that still has all the interesting elements, sometimes coming out perfectly, more than once being somewhat ridiculed by the tendencies of the times to make safe albums with adult lullabies, showing the man in perfect setting, comfortable and harmless. The fine elements are a lush orchestra, a rock band, a great voice, attention to detail, well-mixed studio work, and a feeling for fine harmony. The album starts at its best w

Mark Russell started to live in South Korea since 1996. He had witnessed the continuous economic growth of Korea (called the Korean Wave). I guess his main interested is film, while his focus in the book also explains thoroughly the economic process itself. What interests me for my website is of course mainly the section about music, which still is the least worked out part of the book. Of course we still have in a very short the story of “the grandfather of rock”, -Shin Joon

SRMK 0008 Horizon: Dreamer's Island (2002) The first track is good melodic-(neo-) progressive (with drums, bass, keyboards). The second track is with heavenly female vocals (her voice is similar to some singers of some gothic-metal groups). This evolves to an instrumental rather dark moody fusing experimental passage using echoes and improvisations. The third also interesting track starts very moody with birdsounds and slowly builds up. The fourth track is more chamber music