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이화자 - Lee Won-Ja (Lee Hwa Za)

이화자 - Lee Won-Ja (Lee Hwa Za)

This collection of songs performed by "Yihwaja" / Lee Won Ja could work very much on a song evening meeting with a small audience with a performer directing the stories to a small public while a band plays smoothly in the background, with humpapa piano rhythms and accordion moods, and Korean and Western clarinet solos here and there. The rhythms are that of a song dance approach and are all rather typical for the early Trot style, influenced by Japanese standards, although I

(이인권편) / 이인권 - Lee In-Kweon / Lee In-Gwon

(이인권편) / 이인권 - Lee In-Kweon / Lee In-Gwon

유성기로듣던 불멸의 명가수 Vol.14 이인권편 / Immortal Master Singer Vol.14 Lee In-kwon SYNCD-134 1 향수(鄕愁)의 휘파람 / Whistle of Perfume (OKEH 12202) 2 쪼각달 항로 / Sculpture Route (OKEH 12225) 3 황혼(黃昏)의 파지장(波止場) / The tide of twilight (OKEH 12232) 4 비련(悲憐)의 출발(出發) / Departure (OKEH 12247) 5 애수(哀愁)의 키타 / Sorrow (OKEH 12247) 6 가등(街燈)의 소야곡(小夜曲) / City Light (?) (OKEH 20008) 7 향수열차(鄕愁列車) / Perfume (?) Train (OKEH 20020) 8 청춘(靑春)의 하이킹 / Youth (OKEH 20025) 9 눈물의 연가(戀歌) / Sad Love Song (OKEH 20037) 10 꿈꾸는

이은파 - Lee Eun-Pa

이은파 - Lee Eun-Pa

This is a CD from the 23CD box: 유성기로 듣던 불멸의 명가수: 이은파 편 (vol.11) / Immortal Singer Heard during the Meteor Period: Lee Eun-pa, Vol. 11 1 관서천리(關西千里) / Kwanseocheon-ri (Chisato Kansai) (1935) (OKEH 1793) 2 지는 석양(夕陽) / Sunset (OKEH 1793) 3 압강물 흘러 흘러 / Flowing down the river (OKEH 1796) * 4 채란새 / Yellow Egg (OKEH 1914) 5 강(江) 넘어 천리(千里)길 / Cheonri-gil road beyond the river (OKEH 1914) * 6 안달이 나요 / I'm frustrated (OKEH 1925) 7 여자된 허물 / Woman's Sludge (OKEH 1962) * 8 남천(南川) 처녀(處女) /

손목인 - Son, Mok-In / Mog-in Son ; Son Mog Dong / 복 人

손목인 - Son, Mok-In / Mog-in Son ; Son Mog Dong / 복 人

* 1 범벅서울 작곡 / Composition from Seoul 2 항구의 하소 작곡 / Calcination of the port 4 애수의 제물포 작곡 / Sosu Yemulpo's Composition * 6 유랑마차 작곡 / Wanderlust * 7 유랑선 작곡 / Journey Song Composition * 12 청노새 탄식 작사:조명암 작곡 / Blue Mule Mourning 13 세월을 등지고 작곡 / Composing with time * 14 title ? Tracks with * I consider essential listens or classics, also very suitable for western radioshow airplay. Tracks that are only underlined can be considered great tracks as well, not sure how essential they ar

남인수 - Nam In-Soo

남인수 - Nam In-Soo

CD1 of 12 CD BOX: Compilation with 13 songs by Nam In-Soo 1 휴전선(休戰線) 엘레지 / Arms Elegy 2 달도 하나 해도 하나 / Just one moon 3 향수(鄕愁) / Perfume 4 나는 사람이 아니외다 / I'm not a person 5 무정열차(無情列車) / Infinite Train 6 다정(多情)도 병(病)이런가 / Tenderness can be a disease 7 고향의 그림자 / Shadow of home (Wave Of Nostalgia) (1954) * 8 밤비는 온다 / Bambi ? comes 9 기다리겠어요 / I will wait 10 청춘무성(靑春茂盛) / Youth Museong (?) 11 가거라 삼팔선 / Go to the Sampalm (1948) 12 고향은 내 사랑 / Hometown is my love "Beloved Home") (1954) *

박향림 - Park Hyang-Rim

박향림 - Park Hyang-Rim

This is a CD from the 23CD box: 유성기로 듣던 불멸의 명가수: 박향림 편 / Immortal Singer Heard during the Meteor period: Park Hyang Lim * 1 연지 찍고 곤지 찍고 / Take a roll of paper (..8331) * 2 전화 일기(日記) / Telephone Diary (COLUMBIA 40800) -"telehone song"- 3 그늘에 우는 천사(天使) / Crying angle in the shade (COLUMBIA 40803) 4 부서진 정(情)이나마 / Broken mind (COLUMBIA 40812) 5 사랑 주고 병(病) 샀소 / I gave you love and bought a bottle (COLUMBIA 40801) 6 지상(地上)의 어머니 / Mother Earth (COLUMBIA 40815) 7 꿈꾸는 행주치마 / Don't was

장세정 - Yang Se-Jung / Jang Se Young / Yang Se Jeong / 朴響林

장세정 - Yang Se-Jung / Jang Se Young / Yang Se Jeong / 朴響林

유성기로 듣던 불멸의 명가수: 장세정 편 Immortal Singer Heard during the Meteor Period: Jang Se-jeong (Vol. 5) SYNCD-127 1 연락선(連珞船)은 떠난다 / The ferry is leaving (OKEH 1959) 2 무정곡(無情曲) / Independence (OKEH 1998) 3 분홍 손수건 / Pink Handkerchief (OKEH 12002) * 4 고백하세요! 네? / Please confess! Sure? (OKEH 12054) (OKEH 12054) * 5 꼭 열일곱 살이예요 / I'm 17 years old (OKEH 12062) * 6 미풍(微風)은 꿈을 싣고 / The breeze carries a dream (OKEH 12078) (1938.1) 7 헛소문 / Rumors (OKEH 12080) (1938.1) 8 청춘초(靑春草) / Cheongchuncho (

김정구 - Kim Jeong-Goo / Kim Junggu / Kim Jungku

김정구 - Kim Jeong-Goo / Kim Junggu / Kim Jungku

I guess this is a reissue of an original old LP (with 12 songs), containing songs that often have folk songs origins, and which show a funny marching song/working song related happy and gay nature, occasionally with also a more melancholic song. In that way the tonal and singing variation in the songs is pretty varied. The arrangements, with strings, brass instruments and more show the best kind of arrangements where in each few seconds other instruments dominate at occasions

V.A.: 유성기로 듣던 가요사 (1925~1945)

V.A.: 유성기로 듣던 가요사 (1925~1945)

This is a collection of early Korean records, some of which shows some unique and some bizarre material. This collection dates from 1925-1933 in correct order of dates. * The first track for instance is like a folk song with triple or so singers singing in some specific style with an ethnic flavour which has similarities to characteristics from somewhere else to compare with, possibly like a certain African village singing for instance. * The next two tracks show piano and vo

강홍식 / 姜弘植 - Kang Ho-Sik (Chang Ho-Sik)

강홍식 / 姜弘植 - Kang Ho-Sik (Chang Ho-Sik)

The first 9 songs of this compilation show how Kang Ho Sik must have been involved in early song music of the first movies with sound and music. This sounds more adventurous than conservative, of which the music still has the humpapa rhythms of Japanese occupation rules, but the arrangements and songs still show pleasant variations. The first track has a more classical-orchestrated feel to the music arrangements with clarinet, piano, flutes, violin and percussion. The second

김복희 / Kim Bok-Hee

김복희 / Kim Bok-Hee

You can find tracks at: 유성기로 듣던 불멸의 명가수-신카나리아, 김복희, 박단마 편 (SYNCD-141) vol 19 Immortal singers from the meteor period-Shin Canaria, Kim Bok-hee, Park Danma 8 단장원(斷腸怨) / Director (VICTOR 49352) 9 제주(濟州) 아가씨 / Jeju lady (VICTOR 49380) 10 울고싶은 마음 / Wanting to cry (VICTOR 1155) 11 애꾸진 달만 보고 / Watching the Moon (1936) (VICTOR 1161) 12 술집의 비애(悲哀) / Bar of Sorrow (VICTOR 1161) On “Director”, I hear a high pitched, skillful and very young voice singing nicely orchestrated Japanese-st

이규남 / 李圭南 (Minami Kunio) / Lee Kyu-nam (or 임헌익 / Lim Heon-ik)

이규남 / 李圭南 (Minami Kunio) / Lee Kyu-nam (or 임헌익 / Lim Heon-ik)

You can find music on: 유성기로 듣던 북(北)으로 간 가수들 / Singers who went to North Korea (CD 1994) 16 고도의 추억 / High memories 17 이별 / Farewell (*) 18 추억의 소야곡 / music of memories Tracks with * I consider essential listens or classics, or tracks to check out for sure because for some reason they seem to stand out as unique moments. This makes them tracks that makes them also very suitable for western radioshow airplay. Tracks that are only underlined can be considered fine tracks you might

김해송 - Kim Hae-Song / 金海松, 金山松夫, Matsuo Kanayama, 김송규, 金松奎, Kim Song-gyu

김해송 - Kim Hae-Song / 金海松, 金山松夫, Matsuo Kanayama, 김송규, 金松奎, Kim Song-gyu

V.A. - 유성기로 듣던 불멸의 명가수 (23CD Box Set) CD8 True favourites; 8. 올팡갈팡 / olpang-galpang, 12. 청춘(靑春) 삘딩 / Youth springing ("good morning"-song) To my amazement I found out that in Korea from the 30s/40s, it wasn’t only the preceding style of Trot that had been recorded. The recordings of Kim Hae-Song show a lot more cabaret, influences in old time jazz, and influences from American broadway film music, which shows another interesting and expressive aspect of music from those days.

채규엽 - Chae Yug-Yeop / Chae Gyu-Yeop

이난영 - Lee Nan-Young (Lee, Ran Young) / Yi Nan Young ; (-Oka Ranko-)

이난영 - Lee Nan-Young (Lee, Ran Young) / Yi Nan Young ; (-Oka Ranko-)

The first few tracks show the best of possibilities, in that Lee Nan-Young has the sort of qualities in her voice and singing that shows a certain emotion in her voice, with a distinctive sad sensitive quality. The first track is just acoustic picking, violin and voice only, which shows these qualities best. Most tracks are in Trot style with a minor old time jazz influence. The voice goes very high. A few track are in dialogue male/female voice, with some harmony singing too

손복춘 - Son Book-Chun

손복춘 - Son Book-Chun

유성기로 듣던 불멸의 명가수: 얼굴 없는 명가수 (2) (SYNCD-145) Immortal master singer during the meteor group: the singer without face * 2 사창야월(紗窓夜月) / Sachang Moonlight (COLUMBIA 44019) * 3 푸념 사거리(四巨里) / Fushui crossroad (COLUMBIA 44032) “Sachang Moonlight”has a very eastern sound by eastern picking instruments as intro, with flute accents. It has a beautiful eastern melancholy in its singing. The instrumental part adds electric slide guitar and old-time amplified violin. You can also hear wood

백난아 / Baek Nan-Ah

백난아 / Baek Nan-Ah

A few tracks can be found on CD2 from V.A.: 유성기로 듣던 가요사 두번째 (phonographs) (1945~1960) 12-CD box (1996) which was reviewed on next page: "Baek Nan-Ah / Baek Nan-A has three more (old time) stomping (rhythm) tracks included, the earliest one is the most old-styled (or more Japanese-like) pre-Trot." * 1 북경(北京)아가씨 / Beijing baby girl 2 오동동 극단(劇團) (drama) (.. 3011) 3 황하다방(黃河茶房) / Hwanghabang (Suruga Sabo) (.. 3017) * 4 도라지 낭낭(娘娘) / Bellflower bag (daughter) (.. 5002) 5 간도선(間島線) /

문호월 / 文湖月- Moon Ho-Wol

문호월 / 文湖月- Moon Ho-Wol

유성기로 듣던 불멸의 명가수 / I heard an old Phonograph 23CD box 5 천리타향 작곡 / Tenrita Only one track from this album on the whole compilation of 23 CD box is found here. It starts with a Christmas bell and shows a positive vibe as a predictable / average styled, warm pre-trot song with certain distinctive jazz influences. It also includes a small footstamp solo in between. Info: http://ko.wikipedia.org/wiki/문호월 경상북도 김천에서 출생. 서울 휘문고보를 졸업한 후 바이올린연주가로, 작곡가로 활동하였다. 서도민요들을 연구수집하고 가창자들을 찾아다니며

30s V.A. "Listening to phonographs vol.1"

30s V.A. "Listening to phonographs vol.1"

This is a collection of early Korean records, some of which shows some unique and bizarre material. The first track for instance is like a folk song with triple or so singers singing in some specific style with an ethnic flavour which has similarities to characteristics from somewhere else to compare with, possibly like a certain African village singing for instance. The next two tracks show piano and voice only, with an almost (Western) classical sort of singing. The third t

30년대 신민요 - V.A. "Pork Song"

30년대 신민요 - V.A. "Pork Song"

This compilation proves how the new folk music from the 20s/30s was highly original and clearly the foundation for the continuation of this new tradition during the 50s even thought they filtered out the Japanese singing variations further even though it is highly joyful and beautiful to hear them enrich the music. But the music still is a mixture of a variety in styles in singing. The band can have a front folk band (banjo, acoustic guitar, Japenese flute), while the band is

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