You can find a track at: 도미도 베스트 컬렉션 100 VOL.1 / 50-60 Domido 9 홍콩 아가씨 / Hong Kong babes (liberation/war song) This is a mixed style track with trot, a lighthearted pop song. Keum's voice sound very young and mature at the same time. Another reissue: 한정무/금사향 - 꿈에 본 내고향/홍콩아가씨 (MRC 유성기 복원 시리즈) (7인치) Side. A 1. 꿈에 본 내고향 / My Hometown in Dreams - 한정무 / Han Jeong Moo Side. B 1. 홍콩 아가씨 / Hong Kong Lady- 금사향 / Keum Sahyang 한정무 - 꿈에 본 내고향 / 금사향 - 홍콩아가씨 가요사에 중요한 기록물인 유성기를 복원하는 것은 의

This is a collection of old time music Trot (50s styled), with slow male singing and small combos (reeds, strings) with solo instruments like accordion or sax or acoustic/early electric picking guitar and such. The best part is CD2 where also responding female harmony singers are added, adding a charming filmic aspect to the music, improving with it the whole atmosphere. Choi Mu-Ryung was also a film actor. First it was unclear to me how much the actor Choi Moo-ryong (Februar

This collection of songs performed by "Yihwaja" / Lee Won Ja could work very much on a song evening meeting with a small audience with a performer directing the stories to a small public while a band plays smoothly in the background, with humpapa piano rhythms and accordion moods, and Korean and Western clarinet solos here and there. The rhythms are that of a song dance approach and are all rather typical for the early Trot style, influenced by Japanese standards, although I

유성기로듣던 불멸의 명가수 Vol.14 이인권편 / Immortal Master Singer Vol.14 Lee In-kwon SYNCD-134 1 향수(鄕愁)의 휘파람 / Whistle of Perfume (OKEH 12202) 2 쪼각달 항로 / Sculpture Route (OKEH 12225) 3 황혼(黃昏)의 파지장(波止場) / The tide of twilight (OKEH 12232) 4 비련(悲憐)의 출발(出發) / Departure (OKEH 12247) 5 애수(哀愁)의 키타 / Sorrow (OKEH 12247) 6 가등(街燈)의 소야곡(小夜曲) / City Light (?) (OKEH 20008) 7 향수열차(鄕愁列車) / Perfume (?) Train (OKEH 20020) 8 청춘(靑春)의 하이킹 / Youth (OKEH 20025) 9 눈물의 연가(戀歌) / Sad Love Song (OKEH 20037) 10 꿈꾸는

Tracks can be found on: 가요(歌謠) 박물관 / Music Museum - 220 Best CD3-10 종이배 / Paper boat (1964) CD3-12 저녁 한때 목장 풍경 / Some evening in a pastured landscape (1964) Tracks with * I consider essential listens or classics from a western point of view of listening, as tracks to check out for sure because for some reason they seem to stand out as unique moments, which makes them also very suitable for western radio show airplay. Tracks that are only underlined can be considered fine trac

Some tracks can be found on: 가요(歌謠) 박물관 / Music Museum: 220 Besl CD3- 21 일요일은 참으세요 / Pretty Sunday (1963) -ref. "Never On Sunday"- This is obviously light Western pop. Mixed origin Monica Yoo has more western looks which makes it easy for her to make the links to western styles even more easily. *CD4-8 서울에서 동경에서 / To Tokyo, from Seoul (1966) Of course the interpretation of this "nature boy" song in a jazzy setting worked perfectly well. I didn't find more songs, but on YouTu

한명숙 오리지날 힛송 총결산집 / Han Myung-Sook Original Song Collection 1990.09.00​ 1 노란샤쓰의 사나이 / The Boy in the Yellow Shirt -country- * 2 우리 마을 / My town -psychrock- 3 청실홍실 / Clean room -lullaby- 4 사랑이 끝났을때 / When love is over -psychrock/pop- 5 그리운 얼굴 / Nostalgic faces -waltz- 6 내일이면 늦으리 / Tomorrow is too late -slow- 7 시름의 꼬리별이 / Tail of star -slow- 8 서귀포 사랑 / Seogwipo Love 9 사랑의 송가 / Hymns of love 10 센티멘탈 기타 / Sentimental guitars -slow- 11 눈이 내리는데 / It's snowing 12 웬일인지 / For some reas

Tracks can be found on: 도미도 베스트 컬렉션 100 VOL.1 / 50-60 Domido * 8 미워도 한세상 / I hate you This is a nice slow twist with warm harmony vocals and smooth rhythm. 가요(歌謠) 박물관 / Music Museum: 220 Best [Disc 7] 18 희미한 옛사랑의 그림자 / The faint shadow of Yetsarang (1969) -ref. Los Tres Diamantes: "Luna Llena (full moon)"- This is a cover in country western musical-alike style ready for Christmas harmony optimism in a cappella vocal harmony leads and simple strums. 가요(歌謠) 박물관 / Music Museum:

황금심 / 오리지날 힛송 총결산집 (16-12-2015) Hwang Keum-Sim was one of my favourite voices and choices from 5 CD-Domido compilation box, and I am still convinced of her voice and talent after checking this full compilation of hers. It still is unclear to me where she learned her technique and in which traditions it has been rooted, but I would love to know. The arrangements for every track fit perfectly with the songs and singing. Most tracks show a perfect balance in colour and contribut

This is a CD from the 23CD box: 유성기로 듣던 불멸의 명가수: 이은파 편 (vol.11) / Immortal Singer Heard during the Meteor Period: Lee Eun-pa, Vol. 11 1 관서천리(關西千里) / Kwanseocheon-ri (Chisato Kansai) (1935) (OKEH 1793) 2 지는 석양(夕陽) / Sunset (OKEH 1793) 3 압강물 흘러 흘러 / Flowing down the river (OKEH 1796) * 4 채란새 / Yellow Egg (OKEH 1914) 5 강(江) 넘어 천리(千里)길 / Cheonri-gil road beyond the river (OKEH 1914) * 6 안달이 나요 / I'm frustrated (OKEH 1925) 7 여자된 허물 / Woman's Sludge (OKEH 1962) * 8 남천(南川) 처녀(處女) /